Hopefully you’ve read the previous two blog posts and have seen the progress of the banana print design so here’s a sneak peek of the finished designs!
Beginning with a classic half drop repeat, I like the negative space that’s created from the shape of the bananas. I’m thinking this would look fab on a pencil case, might have to see if I can find some banana stationery to match it…
I always like to make a random repeat version of prints too. They take a lot longer to design as you have to arrange them just right and then make sure there are no gaps in the finished print, but I always think they’re more versatile and can cover a bigger area.
I also made the random repeat print with a green and a blue background, but I just can’t decide which is my favourite… Which do you prefer? Let me know in the comments below! P.S. Does anyone else have a sudden desire for a dress made with banana fabric or is that just me?
Every print I design starts with a hand drawing – you see why I named the business Drawn by Rhiannon right? I always like to have either a photo of the item I’m drawing or the actual item in front of me so I can get all the proportions and colours spot on. Luckily I had a few bananas in the fruit bowl so it was off to a good start.
If you read my last blog post you’ll know that I have a particular style in mind for this print design which starts with a thick pencil drawing. I tend to like to draw lots of scruffy lines in light pencil to begin with and then go over the best lines with a thicker pencil when I’m happy with the shape.
The next stage is digitising the sketch to get it ready to make into a digital print. Some sketches translate better than others and luckily the bananas were one of the easier drawings; just a bit of tidying up around the edges and removing the sketchbook seam line and it was ready to go!
With the outline sorted it’s time to start on the colour. I use all sorts of different materials for colouring but I’ve decided to use watercolours for the fruit print range. I love how the colours blend so well and show a great range of tone and light with a few brush strokes. After scanning it in to the computer and defining the colours, it’s ready to be dropped into the outline image.
With a few layers and lots of blending, the colouring-in is complete! I’m super chuffed with the colour effect created by the watercolour paints, but let me know what you think by commenting below.