Posted on Leave a comment

Made by hand from start to finish

Rubber duck reusable makeup remover pads being made by hand

At Drawn by Rhiannon everything is done by hand from start to finish.

Every item begins with an image drawn by hand by me which I scan in to the computer to make a digital fabric design. I then make all the items myself on my industrial sewing machine. I also make all the packaging myself, photograph the items and edit them to make them as clear as possible. Finally I list them on my website and write up a description for every item. It really is all done by hand!

To show you what I mean here’s a rundown on how the new rubber duck reusable makeup remover pads were made by hand, step by step. (You can take a look at the finished product on my website here.)

Step 1: Drawings

I love that every fabric I design begins with one of my drawings. I use all sorts of materials to draw with but for the rubber ducks I decided to use promarkers. These pens are brilliant for creating bold graphic designs which was exactly the look I wanted for the ducks. I chose a selection of rubber ducks from my collection (I have almost 100 now!) and started to draw. I initially sketched the ducks in pencil to get a rough outline to work with. Then I went over the lines I was happy with with a black marker and coloured in the shapes. These are the pages from my sketchbook that I scanned in.

Step 2: Digital print design

Once I’m happy with the drawings it’s time to make the digital print design. The drawings always need a bit of cleaning up so I go around the edge of the drawings erasing any fuzzy edges from the scanner. Thanks to the bold line work and colours, the duck drawings scanned in really well and were fairly simple to convert in to digital images. Next I make sure the colours are where I want them to be. For example, some of the ducks had scanned in with bolder colours so I wanted to make sure that the colour depth was even across all the ducks. I never want to over-edit on the computer otherwise the drawings will lose their hand-drawn character. 

I had a good idea in my head about how I wanted the duck print to look which made it easier to arrange the design. Sometimes I’m not sure how I want the finished design to look so it can take a long time to work out a composition that I’m happy with. For the rubber ducks I simply wanted them in lines with a half drop repeat.

Step 3: Making

When I’ve finished the design, I send it to a fabric printing company in London. They print my designs on to the fabrics then send it back to me to be made in to all sorts of different items. 

With the reusable makeup remover pads there are quite a few steps required to make them. First of all I have to cut out the printed fabric and the backing fabric. For the back of the pads I use a soft cotton towelling that I source locally.

 

Once the fabrics are all cut out it’s time to start pinning. About 70% of making anything seems to be pinning!

 

After pinning everything in place I sew the two sides together on the industrial sewing machine. I then topstitch around the whole pad to make sure it’s really secure.

Rubber duck reusable makeup remover pads being made by hand

Then I repeat the whole thing four more times to have a total of five makeup pads per pack. The final stage in the making process is to make the little wash bag that the pads are stored in. I make these with tulle that I buy locally so that you can see which design pads are inside each bag. It’s also a handy little bag to keep for washing the makeup pads in so that they don’t escape and get lost in the wash.

Step 4: Packaging

I include an information tag with the reusable makeup remover pads which also gets made by me. I designed the tag on my computer to include how to use the pads and the cleaning instructions. These tags are then printed on to card and cutout using my cricut machine. The cricut machine saves me a lot of time and cuts a lot more accurately than I would!

Step 5: Photography

Once the makeup pads are made, in their little bags and tied with a tag, they’re ready to be photographed. I do all my product photography myself in my studio. Luckily my studio has nice big windows that let in lots of natural light so as long as the British weather is being kind, I can usually snap some pretty good product shots.

Then it’s just a case of editing the photos to fix the lighting and make sure the colours are true to life. Finally they’re ready to list on the website!

I always write a small section about the inspiration behind the print design for a personal touch and make sure important details such as size and fabric type are listed.

You can see the finished listing here – https://www.drawnbyrhiannon.co.uk/product/reusable-rubber-duck-makeup-remover-pads/

 

Posted on Leave a comment

Lighthouses of the North East – From inspiration to print design

There are so many fab lighthouses along the North East coast.

If you haven’t checked out the first lighthouse post featuring the inspiration behind the latest print you can see it here. Once I’d chosen the lighthouses I was going to use I set about drawing them. I knew I wanted this to be quite a graphic illustrative print design so I started drawing the lighthouses in bold pencil.

Souter lighthouse drawing

I started with Souter lighthouse. It’s a very classic lighthouse shape so it seemed like a good place to start. Other than the windows and railing, this was a fairly straight forward sketch.

Seaham lighthouse drawing

The next one I had chosen was Seaham lighthouse. Again this is a pretty standard shape so it was important to get the proportions and lines right. I didn’t want to use a ruler for the edges as I felt that would look too perfect and would jar with the hand drawn style.

St. Mary's lighthouse drawing

Next on the list was St. Mary’s lighthouse in Whitley Bay. This is a iconic landmark near to where I live so I wanted to do it justice. Although it is a simple structure, this also makes it tricky to draw as there is not much detail to work with. It’s also completely white so I wasn’t sure how I was going to colour it in. This could make it hard to stand out against a plain background.

Amble lighthouse drawing

By far the hardest one to draw was Amble lighthouse. Trying to get the perspective right on the railings was so tricky! After a lot of rubbing out and redrawing, I finally got the main structure right.

Time to colour in

Once I’d finished all the drawings it was time to start digitalising them. I scanned them all in to the computer then cleaned them up in Photoshop to make the outlines stand out clearly. To achieve the bold graphic look I wanted I decided it would be best to colour them in digitally.

Souter lighthouse coloured in

I love the classic colour combination of Souter lighthouse. I used colour swatches from photos to make sure the shade of red was just right. After adding colours, I used shading to give it more of a rounded shape.

Seaham lighthouse coloured in

Next up for colouring was Seaham lighthouse. This lighthouse is simply black and white so the foundations were easy to colour. However I wasn’t happy with how flat it looked. I decided to run a lighter shade of black down the centre to give it more depth, and studied the rust colour of the door to get the right texture.

St. Mary's lighthouse coloured in

As predicted St. Mary’s lighthouse was very tricky to colour. The lighthouse is completely white but with no colour at all it simply looked like I had forgotten to colour it in. I decided instead to use a light shade of grey to shape the lighthouse. I also studied photos of the lighthouse and saw the door and windows were darkly shaded so this added interest to the drawing too.

Like with Souter Lighthouse, I colour matched photos of Amble lighthouse to make sure I used the correct shade of red. I shaded the white portions of the lighthouse to match the off-white colouring of real life.

The final lighthouse is Longstone lighthouse. I drew this lighthouse for a previous print design inspired by the Northumberland coast. Although the style is slightly different I still thought it was worth including it in the print design as it would add a good pop of colour.

The final print

After scanning in and colouring all the lighthouses it was time to start assembling. This took much longer than I had originally anticipated. It was surprisingly difficult to get all the lighthouses arranged in to a well fitting pattern. I wanted to spread the red lighthouses evenly throughout the print and create a mix of sizes. Eventually I was happy with the layout and the print was complete!

This print design will be featured in a range of products this autumn winter. Let me know what you think about it in the comments below or share on social media!

Posted on 1 Comment

The beautiful lighthouses of the North East

Lighthouses of the north east

I’m lucky to live by the North East coast, a stunning stretch of coastline that inspires me all the time. The bold colours and wide range of styles of the lighthouses of the north east made me want to grab a sketchbook and get drawing so that’s exactly what I did. But first, I had to decide which lighthouses to include in the print design.

Beginning in County Durham, the first landmark I chose was Seaham lighthouse. The colouring of this lighthouse is slightly unusual as it features black stripes, rather than the usual red or blue.

North east lighthouses: Seaham lighthouse

Moving further north up the coast, my next pick was Souter lighthouse. This lovely classic style lighthouse is located in Whitburn, between Sunderland and South Shields. It’s owned by the National Trust and the view from the top is incredible!

North east lighthouses: Souter lighthouse

North of the Tyne

Next I travelled north of the river to Whitley Bay. I knew from the start that I wanted to include St. Mary’s lighthouse as it’s the closest lighthouse to where I live. It’s an icon of Whitley Bay so I want to do it justice. Keep an eye out for the next blog post to see how it turned out…

North east lighthouses: St. Mary's lighthouse

I’ve previously designed a print based on the North East coast which featured Longstone Lighthouse. This lighthouse located on the Farne Islands has the classic red stripes that will bring a great splash of colour to the print.

I was struggling to choose the final lighthouse of the north east as I wanted another one with stripes but I was coming up short. Then on a day trip to Amble I struck lucky. Not only is Amble lighthouse a fabulous red and white striped landmark, it’s also an interesting structure which will bring some diversity to the print design.

Amble harbour

With all the lighthouses chosen it’s time to get drawing. Stay tuned for my next blog post to see how they turn out.

Posted on 6 Comments

Inspired by a sassy sheep

I get inspiration from all over the place but for this particular print design it was this sassy sheep that started it all off.

Sassy sheep at Sewerby Hall

I spotted this fabulous creature on a trip to Sewerby Hall. After calling the sheep to see if I could get it to look at me for a photo, it gave me this look. The character in its face was brilliant and I knew I wanted to make it in to a print design.

For sketching the sheep I chose to work in pencil. This gave me the ability to create a fluffy outline but also focus in on the character of the face.

Sheep drawing

The shape was surprisingly tricky to get right as the sheep was just so poofy. When I was eventually happy with the outline, I scanned it in to the computer.

Digital colouring

Sometimes pencil drawings can be a real pain to manipulate digitally as the soft pencil marks don’t scan in well. Thankfully the sketch was bold enough that the computer could pick up all the small details. With a little bit of cleaning up the sheep was ready for colouring.

Sheep drawing digitalised

I wanted to create the feel of the wonderfully textured fur. To begin with I digitally coloured layers of different shades of creams and greys to get a base. I then took snippets of fur from the original photo and blended them in to the base colour to achieve the textured look. This is quite a difficult process as it’s important to get the balance of colour and shading just right to make it look realistic and not too computerised.

Digital sheep drawing coloured in

Finally it was time to assemble the design.

Creating the final sheep print

Similar to the cow print, I knew I wanted the sheep arranged in clusters to look like a flock. By scaling, rotating and skewing them, I made little family groups of sheep. Once I was happy with the layout, I worked on the background colour.

Sheep print design with white background

I always start every print design with a white background to check that I’m sure on the layout. Sometimes I keep the white background but I didn’t think this worked well with the sheep.

Sheep print design with cream background

Next I tried it with a warmer yellow cream colour which I thought was more successful. The sheep stood out from the background colour better than on the white.

Sheep print design with green grass background

Finally I tried a green background with tufts of grass to look like a field. Picking the right shade of green is always a difficult task but I’m really pleased with the one I chose here and I think this colourway is my favourite.

Let me know what you think of the new sheep print design by commenting below!

Sheep in the wild

You can find the sheep print design featured on the following products available to buy now from my shop.

Sheep coin purse
Sheep coin purse
Sheep wash bag
Sheep wash bag
Sheep passport cover
Sheep passport cover
Posted on Leave a comment

The highs and lows of running a small business

Spoiler alert: it’s a real roller coaster.

I love my job. I have always wanted to work for myself but I can tell you for free that running a small business is not easy. I’ve been running Drawn by Rhiannon for three years now and pretty much every day is a struggle. However, for me nothing beats being your own boss. Today is a beautifully sunny summer’s day so I’m writing this blog post with an old fashioned pen and paper outside in the garden. Of course I will have to type this up later but that’s a job for this evening when the sun goes down. And that’s one of the first things I love about running my own business – the flexibility.

It’s great to be flexible.

I have never particularly been a morning person so starting work at 8am every day isn’t an ideal situation for me. I find I’m much more productive later on and in to the evening so I love that I’m able to start work at 10am and work until after tea instead. Sometimes I can be working until two in the morning if that’s when inspiration has struck and that works great for me.

Drawn by Rhiannon studio
I’m lucky to have a great studio at the bottom of my garden

On the flip side, the negative aspect of working from home is that you’re never able to switch off. I’m lucky to have a fabulous studio at the bottom of my garden where I do all my sewing and most my designing. Unfortunately my internet doesn’t stretch to the studio so all the website designing, marketing and general computer work has to be done inside the house. There’s always a never ending to do list so the temptation to just quickly finish off a few things soon turns in to several hours of work when I’m supposed to be taking some time off. The work life balance is something I’m constantly battling with to prevent me from spiralling in to a full blown burnout.

Freedom is liberating

The main thing I love about running a small business is being able to design what I want. You wouldn’t believe the amount of junior designer jobs that mainly consist of making coffee and doing dry cleaning runs. I didn’t go to university for four years to do that! This is part of the reason that I wanted to work for myself because I didn’t want to lose my creativity or all the skills I worked so hard to learn. I love taking inspiration trips and deciding what prints to design next. And I love not having to work to a trend brief or having to stick to a restricted colour palette.

Drawn by Rhiannon watercolour painting
I love being able to be super creative in my job

On the other hand, not having anyone to bounce ideas off can be difficult too. When you’ve spent several hours working on a new print design, staring at the screen and nudging layouts a millimetre here and there, it becomes impossible to know what looks good any more. As the business grows I plan to take on a couple of staff to help with the workload which would be a huge bonus (and would hopefully stop me going stir crazy and asking my pet rabbit which colour background she thinks works the best). Until then I rely on all you lovely lot to keep me sane so I really appreciate you replying to my questions and commenting on my social media posts.

Money talks

Now for some serious talk – money. As much as I love what I do, at the end of the day I can’t keep doing it if it doesn’t make money. I’m fortunate to have a part time job in a craft shop which ensures my house and bills are paid for each month so I don’t have to worry about becoming homeless. However, if you’re working 30-40 hours a week running a small business, you kind of want to see some profit return on that right? This is something I still find very tricky to manage, especially as the gift-orientated things I make are really quite seasonal.

I was on such a high at the end of 2018 as I’d had my best Christmas ever and was actually taking a full time wage. Obviously this was due to a huge amount of work and I spent most of the Christmas break in complete brain dead zombie mode but that’s how it is. I even earned enough to book a holiday in February to Belgium (check out the blog posts about that trip here) which I was absolutely over the moon with.

The Christmas markets were a huge success and it was brilliant seeing people wanting to buy my items for special gifts for loved ones.

However after all the buzz of Christmas, the start of 2019 hit me like a tonne of bricks. I barely made any sales and at Easter time I almost packed the whole thing in. Which brings me to my final point.

Confidence and motivation

Without a doubt the hardest thing about running a business is having the confidence and motivation to keep it going. There are times when I’m consistently working 12-14 hour days and only seeing pocket money in return. When you put your heart and soul in to something and people don’t really seem that interested it can destroy you. Sometimes I just have to keep ploughing on because I know if I stop and really take a look at things I might not be able to carry on (sometimes doing the books at the end of the month can be really devastating).

The words ‘I can’t do this any more’ have gone through my head more in the past three years than in the rest of my life combined, but so have the words ‘I love my job’. The minute I receive a message from a customer saying how much they love their order, or see someone smile at a print I’ve designed on my market stall, it makes it all seem worthwhile.

Running a small business is hard. By supporting a small business you are supporting a dream
Every purchase you make really does make a huge difference

I would love to say that Drawn by Rhiannon has been an overnight success and every day is better than the last but that wouldn’t be true. It would mean the world to me if you could all support me to help me achieve my dream by shopping small and interacting with the brand on social media. One day I hope that I can do this full time and employ some wonderful people to work alongside me but I’m not there yet. After all, nothing good in life comes easy does it?

Posted on 2 Comments

Cucumber the rabbit print: from drawing to final design

Have you read the blog post about the inspiration behind my latest animal print? If not, take a look at it here.

Drawing

One of the best things about designing your own fabrics is that you can draw anything you want. My pet rabbit is so fabulous that I thought she deserved her own rabbit print. She’s not your typical looking rabbit, more just a ball of fluff with ears. As adorable as this is, it makes her super tricky to draw! I chose three of her favourite positions to draw her in to give an idea of her character.

She likes to stand on her back legs to investigate things like a meerkat

I wanted to get across the fluffy texture of her fur so I decided to work in bold line work. I started with a pencil sketch to get the basic outline and an idea of where the fur ruffles were. Once I was happy with that, I went over the lines with a fine liner pen.

Her sitting pose is the most common pose she strikes

I found her face quite tricky to draw as there is so much fluff that a lot of her features get lost. The photo of her that I was drawing from here didn’t have her left eye in as it was hidden by fur. She does have two eyes!

She likes to lie down when she’s feeling very relaxed

Digitising the drawings

With all the sketches completed, it was time to scan them in to the computer for digital manipulation. The good thing about drawing with fine liner pens is that they show up well when scanned in. The sketches took very little cleaning up so I could move on to the colouring.

The colouring in was definitely the hardest part of the whole process. Her fur is bright white so it was very difficult to create any definition and depth with the colour. I tossed up between keeping the whole image light or having dark lines to define it more. In the end I decided to use darker lines to prevent the outline from getting lost.

On to the designing

When it came to arranging the design, I knew I wanted it to be a random scatter repeat. After lots of layers and nudging rabbits a millimetre here and there, the layout was finalised.

The finished rabbit print design with a white background

The design ended up being more cartoony than I envisaged which took a different turn from my other recent designs. I liked the simplicity of the monochrome rabbit print on a white background but I didn’t think this would translate well on to fabric.

Rabbit print with blue background
Rabbit print with blue polka dot background

My first thought was to contrast the white rabbits with a blue background. As you can probably tell from my print designs, I really like blue. There’s something very classic about blue and white together and I think this colour combination would work better for fabric printing.

Rabbit print with pink background

I don’t often use pink in my designs as I’m not a big pink fan. However I thought the pink worked well with the white for a soft girly design.

I was pleased with the final rabbit print design so it went in to production! You can find the mini lionhead rabbit design on reusable makeup remover wipes pictured above and on a coin purse with the blue background.

What do you think of the rabbit print? What other pet animals would you like me to make in to a print design? Let me know by commenting below!

Posted on 44 Comments

Print designing ahead of the trends

Sheep wash bag

My background is in fashion design so I’m always keeping an eye on the latest fashion trends and print designs.

Although I enjoy looking at the season’s newest styles, my print designs aren’t really inspired by current trends. I set up Drawn by Rhiannon to provide fabric designs that you couldn’t find on the high street, so following trends didn’t make sense to me. My inspiration comes from all around me, usually from my travels, but also from the beautiful British landscape. However, I thought it was interesting that this season I’ve picked up a couple of trends without even realising it!

Animals

As you know, I love drawing animals. I would say about 75% of my designs are inspired by animals because I love them! They come in all shapes and sizes which gives me a real challenge in drawing. I also love quirky designs so what’s better than a fabric covered in dinosaurs or puffins!

It looks like I’m not the only one who thinks that because the big fashion houses are at it too. Look at this fab dress by Dolce & Gabanna, covered with a mix of farm animals!

I never would’ve expected to see high fashion designing fabric with chickens on but it’s great to see them having some fun.
I’ve designed several farm animal prints over the years, and the chickens are one of the most popular.

Chicken print design on a hair bow
Chicken hair bow

The chicken print was inspired by some very free range chickens that used to escape their garden and make a break for it down the village road. I loved the rich colours of their feathers and their cheeky characters.

Since then I’ve designed a sheep print, inspired by a particularly sassy sheep we spotted one day. I really enjoyed creating the wooly texture of the fur on this print design.

Sheep print design on a coin purse
Sheep coin purse
Sheep passport cover
Sheep passport cover
Sheep print design on a water resistant wash bag
Sheep wash bag

I’ve also designed a cow print, inspired by some beautiful cows in Graves Park. You can find out more about the cow print design in the blog posts here.
I was really chuffed with the cow print design so used it to make a variety of items which are all available for sale.

Cow print design passport cover
Cow passport cover
Cow wash bag
Cow wash bag
Cow coin purse
Cow coin purse

I like the farm animal theme so I’m hoping to add to it in the future with pigs, horses, donkeys… any suggestions? Comment below!

Butterflies

Insects and other bugs can be really interesting to draw. You get to zoom in really close and see all the little details that you didn’t know existed which makes for quite a challenge. The bee print I designed is now my most popular print, but before that I designed a butterfly print.

Butterfly wash bag
Butterfly wash bag

I loved how colourful and fun this print was to design. It’s currently not in use on any of my products, but if you’d like to see it make a comeback please comment below!

Butterflies are also a big trend on the catwalk this year. The pretty bugs have been featured by many high fashion brands, including this beautiful dress by Mary Katrantzou.

As you can see, you don’t have to spend a fortune to be on trend this season. Just add a splash of print to your home and shop small instead!

Posted on 3 Comments

Where the magic happens

Drawn by Rhiannon industrial sewing machine

All the drawing, fabric designing, sewing and photographing is done by me in my north east studio.

I’m not a fan of long commutes so I love that my studio is just 10 seconds from my living room. When I moved in, the building in the garden was split down the middle, half a shed and half a playroom. The first thing I did (when it had stopped snowing… remember the glorious beast from the east?) was have the building completely renovated – the middle wall was ripped out, the walls and ceiling were lined with cosy insulation, and proper electricity was wired through to make sure the industrial sewing machine would run properly.

Drawn by Rhiannon studio
Having the studio in the garden is great!

The studio is the perfect size to fit everything in. Check out the video below for a quick whizz round tour.

So let’s break it down a bit!

The studio drawing table

Every fabric I design starts with my hand drawing which I draw right at this table here (unless it’s absolutely freezing, then I resort to the sitting-by-the-fire-under-several-blankets style of drawing)

Drawn by Rhiannon studio drawing table
This table is where it all begins. I stick photos I’ve taken on the wall as inspiration for my drawings.

As you can see, this is also where I keep all my scissors plus my domestic sewing machine and overlocker. I’ve written a blog post about my top 10 tools and tips for anyone interested in sewing which you can check out here.

The crafting cupboard

Drawn by Rhiannon studio tour - the big cupboard of crafting supplies
This big cupboard houses everything I need to get creative.
Drawn by Rhiannon studio tour - the big cupboard of crafting supplies
Threads, buttons, ribbons, pens, pencils, paints…

In the big cupboard next to the drawing table, there are all sorts of bits and pieces! I have a drawer for paints, a drawer for pens and pencils, then all the threads, buttons, ribbons and extras that I could possibly need for sewing. The last owners of my house very kindly left this super useful cupboard in the bathroom so I re-purposed it for the studio.

Once I’ve finished my drawing, I then scan it in to the computer and turn it in to a digital print design. This is the only part I don’t do in the studio as my internet doesn’t stretch that far.

The fabric store

The tallboy of fabric in the Drawn by Rhiannon studio
This tallboy houses all the lining fabrics and specialist fabrics such as interfacing, towelling, fusible fleecing and insulating fabric.

Once the fabric has returned from the printers it’s time to get making. This is where this cupboard comes in. I bought this tallboy from Oxfam when I moved in to my flat in Southampton and it’s one of those fantastic pieces of furniture that can be used for all sorts of things.

Tallboy full of linings, specialist fabrics and yarn.
It also holds my stash of wool for when I get a chance to do some crochet.

It’s a bit of an organised chaos situation but it makes sense to me! The top shelf holds any excess printed fabric that I need to get round to making in to something. It also holds the plain cotton lining fabrics that I use for items like the coin purses, makeup bags, and passport covers. (Check them out here) The middle shelf houses all the specialist fabrics like interfacing, towelling, fusible fleecing and insulating fabric. There’s also a stack of printed fabric (not designed by me) that I have bought to make in to clothes. I have about 6 dresses in the pipeline, it’s just finding the time to make them!

Dressmaking in the studio

Speaking of dress making, here’s a quick shot of the corner of the studio. This holds my fabulous dressmaker’s dummy and all my tape measures (forever losing these so you can never have enough)

Drawn by Rhiannon adjustable dressmaker's dummy
The adjustable dressmaker’s dummy is so handy for making clothes.

I also have a selection of design books covering everything from creative garment construction and printmaking, to typography and packaging design. When I lived in Southampton I would take a day trip to Salisbury as there is a fantastic bookshop there that sells all sorts of really specialist books really cheaply!

Drawn by Rhiannon studio bookcase full of design books.
I just love books!

Time to get sewing

After that quick sidetrack it’s back to the making process. I used to use the domestic sewing machine that you saw earlier but, bless its little heart, it was not designed for the volume of sewing I do these days. When my studio was being renovated, I searched high and low for an industrial sewing machine to take over the main sewing duties. I was lucky to find this beauty not too far from me which used to be used in the Barbour factory.

Drawn by Rhiannon industrial sewing machine
My fabulous industrial sewing machine

This beast powers through everything and never gives up, even when I’m sewing through 8 layers of thick fabric.

An important part of the sewing process is ironing. Pressing seams ensures they lie flat and gives the completed item a better finish.

The final stages

Drawn by Rhiannon ironing station
Apologies for the photo quality, it was a super sunny day when I was shooting the studio and the bright light from the windows caused a bit of a problem here.

Once the items are sewn and pressed, it’s time to photograph them.

Drawn by Rhiannon photography area
Most of the items are shot on a light blue background to match my branding.

I’m lucky to have lots of big windows in the studio so the daylight helps a lot. I also use a daylight lamp (the one sat on the industrial sewing machine table) to help on gloomier days.

Drawn by Rhiannon photography set up
My photography set up is forever changing but I think I’m slowly getting there…

Just a little side note for eagle-eyed readers; the robin on the notice board was the first thing I ever screen printed when I was at university. It forms the base for the robin print which is still popular to this day!

Drawn by Rhiannon packaging cupboard
Tissue paper, paper bags, business cards and mailing boxes are all housed in here.

And just in case you were wondering, the cupboard that I take the photos on holds all my packaging supplies for sending orders out to you lovely people! I recently changed to cardboard mailing boxes to be more eco friendly which fit nicely on this shelf. The bigger ones had to sit next to the cupboard as they are HUGE when they’re not folded in box form.
This was another cupboard that was very kindly left by the previous owners in the bathroom. Much more handy in my studio though!

Off to market

Finally when everything is photographed and listed on the website, it’s time to go to market.

Drawn by Rhiannon market prep
Another piece of furniture that was left by the previous owners of the house. A quick clean up and it makes the perfect market prop storage.

This shelving unit here holds all the props and accessories needed for my market stall. It adds up to quite a lot of equipment! This is all carefully planned out before each market to make sure I’m happy with the layout before I go.

So that’s it! I hope you enjoyed a behind the scenes snoop of my studio. Stay tuned for my next post about my favourite sewing tools and tips.

Posted on 1 Comment

When your pet rabbit is this cute you can’t not make a print design inspired by her.

Cucumber, the inspiration behind the new rabbit print

If you’re a follower of Drawn by Rhiannon on social media, you no doubt will have seen the odd snap of my pet rabbit.

I’ve had Cucumber from when she was a bunny and she’s the only pet I’ve ever had so she’s really super special. She’s a mini lionhead rabbit which means she has small sticky-up ears and she has a big fluffy mane just like a lion. Cucumber is particularly fluffy, as most lionhead rabbits lose the long fur on the rest of their body after the first shed but Cucumber keeps hers all year round. Every time we go to the vet she has a crowd of people coming to look at her and she looooves the attention.

Cucumber the mini lionhead rabbit
Cucumber showing off her fabulous mane

She also has the best personality of any rabbit I’ve met. She is really clever (she hid her food under the hutch to convince me she’d eaten it all so I’d buy her new food) and can be really cheeky sometimes, but most of the time she’s just super lovely. She loves hopping around the garden and then sitting on the sofa watching TV in the evening. All of this just makes her the best rabbit ever – no offence to all the other rabbits out there! So I just knew I had to make a print design inspired by her.

Cucumber the mini lionhead rabbit
It can be hard to get a photo of her sitting still as she hops super quickly

One of her favourite activities seems to be rabbit yoga as she does some crazy stretches like she’s in a yoga class. I wanted to include some of her best poses in the print design so I followed her round for a few days to try and capture her different positions. Most of them were pretty fuzzy so not share-worthy but they were good enough for me to get the structure of her frame right.

Keep an eye out for the next post to see the drawing stages of the print design…

Posted on 1 Comment

The final stages of the cow print design

Cow print design with cream background

With the cow drawing scanned into the computer, it’s time to add colour to the print design.

For this print design, I decided to colour the cow drawing digitally using layers of photographs. I photographed different angles of the cows to get sections of their fur. Next I took a look at the colours of the cow to see which areas needed to be lighter or darker. By doing this I was able to cut different pieces out of the photos to use in different areas. Then it was a case of layering the different pieces and blending them to create a smooth coverage of fur. Take a look at this video to see all the layers that went in to colouring the cow.

I needed lots of layers of different shades to create the beautiful fur of the cow

The final step

Once the cow had its fur it was time to create the print design. I had a vague idea in mind of how I wanted the print to look which really helped. Quite often I’m not sure what I want the finished print to look like so it takes longer to create because I don’t have a base to start from. For this design, I had the idea to have the cows in clusters, as if they were scattered about a field. First of all, the cows were grouped in to small groups of twos and threes. Also some cows were rotated and resized to give some variety to the print.

Cow print with cream background
I always like to use a cream background with a brown print design
I also wanted to use a green background to symbolise the grass

And here’s the finished print design! What do you think? Do you prefer the cream or the green background?

Earlier this week I sent off the files to the fabric printer so new fabric is imminent! Using the cow fabric I will be making a coin purse, a passport cover and a wash bag. If you would like to reserve any of these items, just let me know!