As a thank you for reaching 1000 Instagram followers I decided to run a custom print giveaway.
The lucky winner would have the print of their choice designed and made into any item they wanted. There were lots of great suggestions but the idea that was chosen at random was daisies. I was very pleased with this as I love drawing flowers so I started my research. After looking in the garden and researching photos online I discovered there’s a lot more to daisies than you might first think.
It all begins with a hand drawing
Once I had chosen the type of daisy I wanted for the design I started to draw. I knew that it would need to be a soft drawing to represent the softness of the daisies so I chose coloured pencils. The middle section in particular required a lot of work. After looking closely I realised there were so many shades of yellows, greens and darker tones that would be needed to give a realistic effect. The petals also proved quite a challenge. I wanted to use some shading to give them depth whilst keeping an overall pure white feel.
Once I was happy with the drawing it was time to scan it in to the computer. The process of cleaning up the image ready to be made into a digital print took a very long time as the fine lines of the petals were very delicate. Eventually the daisy drawing was transformed into a clean digital image that was ready to be made into a pattern.
Daisies – creating the finished design
Next it was time to arrange the design. I knew I wanted the daisy print to be a random repeat so that it looked like a field of daisies. This is always harder than a simple half drop repeat as it’s tricky to get the right balance of size and placement. I resized the daisies into small, medium and large and rotated and flipped them to create a more random selection. After a long time of nudging daisies this way and that I was finally happy with the design! I had originally envisioned the daisy print with a pale blue background which is what I tried first.
Although I love the colour combo of blue and yellow and think this gives a real Spring feel, I don’t think the daisies stand out very well so I tried a darker blue variation.
I love how vivid the daisies look on the darker blue background. It gave me the idea to try other bold colour backgrounds too.
I’m not usually a fan of pink but I think the daisies look great on this pink background! I think it would be perfect for the reusable makeup remover pads and a matching wash bag.
The green background took a bit more time as many shades of green didn’t look quite right. I’m really pleased with this tone though as it looks really fresh.
Finally I also tried the daisies on a yellow background. Yellow is my favourite colour so I absolutely love this one!
Which is your favourite colour background? Let me know in the comments below.
There’s something wonderful about having a house full of fresh green plants.
I used to love having a beautiful bunch of flowers in my living room. Unfortunately the cost of fresh flowers every week was becoming too much so I had to have a rethink. Then I discovered houseplants and I was hooked! These lovely plants bring the fresh feel to the indoors like flowers but live much longer than just a few days. I gathered all my houseplants and chose three that varied in colour and shape.
Let’s get drawing
I knew that I wanted to create a bold print design. The lush colours of the houseplants jumped out at me and I wanted to replicate that. For that reason I decided to use oil pastels. I love working with oil pastels as the layers of colours can be blended to get really rich tones.
I wanted this print to be as colourful as possible so I made sure to draw the plant pots too. It was fun recreating the woven effect of this plant holder.
Before drawing this houseplant I had never noticed quite how many different tones it had in its leaves. I used a wide range of different greens, browns and yellows to mimic the patches.
The soil was a difficult texture to work out. I wanted to make sure it looked different to the smooth ceramic pot so used different shades of brown in little dabs. Layering up the various tones worked quite well and I’m happy with the effect it created.
From paper to screen
Once I’d completed the drawings it was time to scan them into the computer. Because oil pastel drawings are really bold the sketches didn’t take too much digital cleaning up. I wasn’t sure how I wanted the print to look but when I lined all the houseplants up to think about it I thought that it worked really well! I spent a short time nudging each plant a few millimetres this way and that until I was happy with the spacing of them and then the design was finished.
If you love the new houseplants print then good news! There are already a few items in the shop featuring this fab design with more coming very soon.
Many of my print designs are inspired by my travels including the new turtle print.
A couple of years ago I visited the beautiful Greek island of Zakynthos. The island is home to an endangered species of turtle which are absolutely adorable but hard to spot. On a day cruise around the island we were lucky enough to see a few and snap a couple of pictures. I loved the fascinating patterns on their shells and was inspired to design a turtle print.
I knew that I wanted to use watercolour paints for the drawings of the turtles to match their watery habitat. It’s great to get all my paints and brushes out; the possibilities of all the different colour mixes is really inspiring. To begin the drawings I always draw a rough outline in grey pencil. For watercolour paintings I draw the outline with a watercolour pencil so that the lines can be blended in to the painting as it progresses.
As well as the photographs I’d taken in Zante I researched more pictures to have a bigger range of angles and shell designs to choose from. I selected three different turtles with a mix of different colour shell patterns because I wanted to give variety to the print.
The final stages
Once I’d painted the turtles it was time to scan them in to the computer and clean up the images. Cleaning up drawings is an important part of the print design process. When sketchbook pages are scanned the texture of the paper is also picked up which can look messy in a digital print.
After cleaning up the paintings the final stage is to arrange the turtles in to the digital print. This stage always takes far longer than I think although I knew that I wanted the turtles to be in a random arrangement to look like they were swimming around. After a lot of tweaking (2mm up, 3mm across and repeat) the design was finished!
I also tried it with a sea blue background colour to make them look like they’re swimming in the ocean. Which do you prefer? Let me know in the comments below.
There are so many fab lighthouses along the North East coast.
If you haven’t checked out the first lighthouse post featuring the inspiration behind the latest print you can see it here. Once I’d chosen the lighthouses I was going to use I set about drawing them. I knew I wanted this to be quite a graphic illustrative print design so I started drawing the lighthouses in bold pencil.
I started with Souter lighthouse. It’s a very classic lighthouse shape so it seemed like a good place to start. Other than the windows and railing, this was a fairly straight forward sketch.
The next one I had chosen was Seaham lighthouse. Again this is a pretty standard shape so it was important to get the proportions and lines right. I didn’t want to use a ruler for the edges as I felt that would look too perfect and would jar with the hand drawn style.
Next on the list was St. Mary’s lighthouse in Whitley Bay. This is a iconic landmark near to where I live so I wanted to do it justice. Although it is a simple structure, this also makes it tricky to draw as there is not much detail to work with. It’s also completely white so I wasn’t sure how I was going to colour it in. This could make it hard to stand out against a plain background.
By far the hardest one to draw was Amble lighthouse. Trying to get the perspective right on the railings was so tricky! After a lot of rubbing out and redrawing, I finally got the main structure right.
Time to colour in
Once I’d finished all the drawings it was time to start digitalising them. I scanned them all in to the computer then cleaned them up in Photoshop to make the outlines stand out clearly. To achieve the bold graphic look I wanted I decided it would be best to colour them in digitally.
I love the classic colour combination of Souter lighthouse. I used colour swatches from photos to make sure the shade of red was just right. After adding colours, I used shading to give it more of a rounded shape.
Next up for colouring was Seaham lighthouse. This lighthouse is simply black and white so the foundations were easy to colour. However I wasn’t happy with how flat it looked. I decided to run a lighter shade of black down the centre to give it more depth, and studied the rust colour of the door to get the right texture.
As predicted St. Mary’s lighthouse was very tricky to colour. The lighthouse is completely white but with no colour at all it simply looked like I had forgotten to colour it in. I decided instead to use a light shade of grey to shape the lighthouse. I also studied photos of the lighthouse and saw the door and windows were darkly shaded so this added interest to the drawing too.
Like with Souter Lighthouse, I colour matched photos of Amble lighthouse to make sure I used the correct shade of red. I shaded the white portions of the lighthouse to match the off-white colouring of real life.
The final lighthouse is Longstone lighthouse. I drew this lighthouse for a previous print design inspired by the Northumberland coast. Although the style is slightly different I still thought it was worth including it in the print design as it would add a good pop of colour.
The final print
After scanning in and colouring all the lighthouses it was time to start assembling. This took much longer than I had originally anticipated. It was surprisingly difficult to get all the lighthouses arranged in to a well fitting pattern. I wanted to spread the red lighthouses evenly throughout the print and create a mix of sizes. Eventually I was happy with the layout and the print was complete!
This print design will be featured in a range of products this autumn winter. Let me know what you think about it in the comments below or share on social media!
I get inspiration from all over the place but for this particular print design it was this sassy sheep that started it all off.
I spotted this fabulous creature on a trip to Sewerby Hall. After calling the sheep to see if I could get it to look at me for a photo, it gave me this look. The character in its face was brilliant and I knew I wanted to make it in to a print design.
For sketching the sheep I chose to work in pencil. This gave me the ability to create a fluffy outline but also focus in on the character of the face.
The shape was surprisingly tricky to get right as the sheep was just so poofy. When I was eventually happy with the outline, I scanned it in to the computer.
Sometimes pencil drawings can be a real pain to manipulate digitally as the soft pencil marks don’t scan in well. Thankfully the sketch was bold enough that the computer could pick up all the small details. With a little bit of cleaning up the sheep was ready for colouring.
I wanted to create the feel of the wonderfully textured fur. To begin with I digitally coloured layers of different shades of creams and greys to get a base. I then took snippets of fur from the original photo and blended them in to the base colour to achieve the textured look. This is quite a difficult process as it’s important to get the balance of colour and shading just right to make it look realistic and not too computerised.
Finally it was time to assemble the design.
Creating the final sheep print
Similar to the cow print, I knew I wanted the sheep arranged in clusters to look like a flock. By scaling, rotating and skewing them, I made little family groups of sheep. Once I was happy with the layout, I worked on the background colour.
I always start every print design with a white background to check that I’m sure on the layout. Sometimes I keep the white background but I didn’t think this worked well with the sheep.
Next I tried it with a warmer yellow cream colour which I thought was more successful. The sheep stood out from the background colour better than on the white.
Finally I tried a green background with tufts of grass to look like a field. Picking the right shade of green is always a difficult task but I’m really pleased with the one I chose here and I think this colourway is my favourite.
Let me know what you think of the new sheep print design by commenting below!
Sheep in the wild
You can find the sheep print design featured on the following products available to buy now from my shop.
I love my job. I have always wanted to work for myself but I can tell you for free that running a small business is not easy. I’ve been running Drawn by Rhiannon for three years now and pretty much every day is a struggle. However, for me nothing beats being your own boss. Today is a beautifully sunny summer’s day so I’m writing this blog post with an old fashioned pen and paper outside in the garden. Of course I will have to type this up later but that’s a job for this evening when the sun goes down. And that’s one of the first things I love about running my own business – the flexibility.
It’s great to be flexible.
I have never particularly been a morning person so starting work at 8am every day isn’t an ideal situation for me. I find I’m much more productive later on and in to the evening so I love that I’m able to start work at 10am and work until after tea instead. Sometimes I can be working until two in the morning if that’s when inspiration has struck and that works great for me.
On the flip side, the negative aspect of working from home is that you’re never able to switch off. I’m lucky to have a fabulous studio at the bottom of my garden where I do all my sewing and most my designing. Unfortunately my internet doesn’t stretch to the studio so all the website designing, marketing and general computer work has to be done inside the house. There’s always a never ending to do list so the temptation to just quickly finish off a few things soon turns in to several hours of work when I’m supposed to be taking some time off. The work life balance is something I’m constantly battling with to prevent me from spiralling in to a full blown burnout.
Freedom is liberating
The main thing I love about running a small business is being able to design what I want. You wouldn’t believe the amount of junior designer jobs that mainly consist of making coffee and doing dry cleaning runs. I didn’t go to university for four years to do that! This is part of the reason that I wanted to work for myself because I didn’t want to lose my creativity or all the skills I worked so hard to learn. I love taking inspiration trips and deciding what prints to design next. And I love not having to work to a trend brief or having to stick to a restricted colour palette.
On the other hand, not having anyone to bounce ideas off can be difficult too. When you’ve spent several hours working on a new print design, staring at the screen and nudging layouts a millimetre here and there, it becomes impossible to know what looks good any more. As the business grows I plan to take on a couple of staff to help with the workload which would be a huge bonus (and would hopefully stop me going stir crazy and asking my pet rabbit which colour background she thinks works the best). Until then I rely on all you lovely lot to keep me sane so I really appreciate you replying to my questions and commenting on my social media posts.
Now for some serious talk – money. As much as I love what I do, at the end of the day I can’t keep doing it if it doesn’t make money. I’m fortunate to have a part time job in a craft shop which ensures my house and bills are paid for each month so I don’t have to worry about becoming homeless. However, if you’re working 30-40 hours a week running a small business, you kind of want to see some profit return on that right? This is something I still find very tricky to manage, especially as the gift-orientated things I make are really quite seasonal.
I was on such a high at the end of 2018 as I’d had my best Christmas ever and was actually taking a full time wage. Obviously this was due to a huge amount of work and I spent most of the Christmas break in complete brain dead zombie mode but that’s how it is. I even earned enough to book a holiday in February to Belgium (check out the blog posts about that trip here) which I was absolutely over the moon with.
However after all the buzz of Christmas, the start of 2019 hit me like a tonne of bricks. I barely made any sales and at Easter time I almost packed the whole thing in. Which brings me to my final point.
Confidence and motivation
Without a doubt the hardest thing about running a business is having the confidence and motivation to keep it going. There are times when I’m consistently working 12-14 hour days and only seeing pocket money in return. When you put your heart and soul in to something and people don’t really seem that interested it can destroy you. Sometimes I just have to keep ploughing on because I know if I stop and really take a look at things I might not be able to carry on (sometimes doing the books at the end of the month can be really devastating).
The words ‘I can’t do this any more’ have gone through my head more in the past three years than in the rest of my life combined, but so have the words ‘I love my job’. The minute I receive a message from a customer saying how much they love their order, or see someone smile at a print I’ve designed on my market stall, it makes it all seem worthwhile.
I would love to say that Drawn by Rhiannon has been an overnight success and every day is better than the last but that wouldn’t be true. It would mean the world to me if you could all support me to help me achieve my dream by shopping small and interacting with the brand on social media. One day I hope that I can do this full time and employ some wonderful people to work alongside me but I’m not there yet. After all, nothing good in life comes easy does it?
With the cow drawing scanned into the computer, it’s time to add colour to the print design.
For this print design, I decided to colour the cow drawing digitally using layers of photographs. I photographed different angles of the cows to get sections of their fur. Next I took a look at the colours of the cow to see which areas needed to be lighter or darker. By doing this I was able to cut different pieces out of the photos to use in different areas. Then it was a case of layering the different pieces and blending them to create a smooth coverage of fur. Take a look at this video to see all the layers that went in to colouring the cow.
The final step
Once the cow had its fur it was time to create the print design. I had a vague idea in mind of how I wanted the print to look which really helped. Quite often I’m not sure what I want the finished print to look like so it takes longer to create because I don’t have a base to start from. For this design, I had the idea to have the cows in clusters, as if they were scattered about a field. First of all, the cows were grouped in to small groups of twos and threes. Also some cows were rotated and resized to give some variety to the print.
And here’s the finished print design! What do you think? Do you prefer the cream or the green background?
Earlier this week I sent off the files to the fabric printer so new fabric is imminent! Using the cow fabric I will be making a coin purse, a passport cover and a wash bag. If you would like to reserve any of these items, just let me know!
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