There are so many fab lighthouses along the North East coast.
If you haven’t checked out the first lighthouse post featuring the inspiration behind the latest print you can see it here. Once I’d chosen the lighthouses I was going to use I set about drawing them. I knew I wanted this to be quite a graphic illustrative print design so I started drawing the lighthouses in bold pencil.
I started with Souter lighthouse. It’s a very classic lighthouse shape so it seemed like a good place to start. Other than the windows and railing, this was a fairly straight forward sketch.
The next one I had chosen was Seaham lighthouse. Again this is a pretty standard shape so it was important to get the proportions and lines right. I didn’t want to use a ruler for the edges as I felt that would look too perfect and would jar with the hand drawn style.
Next on the list was St. Mary’s lighthouse in Whitley Bay. This is a iconic landmark near to where I live so I wanted to do it justice. Although it is a simple structure, this also makes it tricky to draw as there is not much detail to work with. It’s also completely white so I wasn’t sure how I was going to colour it in. This could make it hard to stand out against a plain background.
By far the hardest one to draw was Amble lighthouse. Trying to get the perspective right on the railings was so tricky! After a lot of rubbing out and redrawing, I finally got the main structure right.
Time to colour in
Once I’d finished all the drawings it was time to start digitalising them. I scanned them all in to the computer then cleaned them up in Photoshop to make the outlines stand out clearly. To achieve the bold graphic look I wanted I decided it would be best to colour them in digitally.
I love the classic colour combination of Souter lighthouse. I used colour swatches from photos to make sure the shade of red was just right. After adding colours, I used shading to give it more of a rounded shape.
Next up for colouring was Seaham lighthouse. This lighthouse is simply black and white so the foundations were easy to colour. However I wasn’t happy with how flat it looked. I decided to run a lighter shade of black down the centre to give it more depth, and studied the rust colour of the door to get the right texture.
As predicted St. Mary’s lighthouse was very tricky to colour. The lighthouse is completely white but with no colour at all it simply looked like I had forgotten to colour it in. I decided instead to use a light shade of grey to shape the lighthouse. I also studied photos of the lighthouse and saw the door and windows were darkly shaded so this added interest to the drawing too.
Like with Souter Lighthouse, I colour matched photos of Amble lighthouse to make sure I used the correct shade of red. I shaded the white portions of the lighthouse to match the off-white colouring of real life.
The final lighthouse is Longstone lighthouse. I drew this lighthouse for a previous print design inspired by the Northumberland coast. Although the style is slightly different I still thought it was worth including it in the print design as it would add a good pop of colour.
The final print
After scanning in and colouring all the lighthouses it was time to start assembling. This took much longer than I had originally anticipated. It was surprisingly difficult to get all the lighthouses arranged in to a well fitting pattern. I wanted to spread the red lighthouses evenly throughout the print and create a mix of sizes. Eventually I was happy with the layout and the print was complete!