With the cow drawing scanned into the computer, it’s time to add colour to the print design.
For this print design, I decided to colour the cow drawing digitally using layers of photographs. I photographed different angles of the cows to get sections of their fur. Next I took a look at the colours of the cow to see which areas needed to be lighter or darker. By doing this I was able to cut different pieces out of the photos to use in different areas. Then it was a case of layering the different pieces and blending them to create a smooth coverage of fur. Take a look at this video to see all the layers that went in to colouring the cow.
The final step
Once the cow had its fur it was time to create the print design. I had a vague idea in mind of how I wanted the print to look which really helped. Quite often I’m not sure what I want the finished print to look like so it takes longer to create because I don’t have a base to start from. For this design, I had the idea to have the cows in clusters, as if they were scattered about a field. First of all, the cows were grouped in to small groups of twos and threes. Also some cows were rotated and resized to give some variety to the print.
And here’s the finished print design! What do you think? Do you prefer the cream or the green background?
Earlier this week I sent off the files to the fabric printer so new fabric is imminent! Using the cow fabric I will be making a coin purse, a passport cover and a wash bag. If you would like to reserve any of these items, just let me know!
Every print I design starts with a hand drawing – you see why I named the business Drawn by Rhiannon right? I always like to have either a photo of the item I’m drawing or the actual item in front of me so I can get all the proportions and colours spot on. Luckily I had a few bananas in the fruit bowl so it was off to a good start.
If you read my last blog post you’ll know that I have a particular style in mind for this print design which starts with a thick pencil drawing. I tend to like to draw lots of scruffy lines in light pencil to begin with and then go over the best lines with a thicker pencil when I’m happy with the shape.
The next stage is digitising the sketch to get it ready to make into a digital print. Some sketches translate better than others and luckily the bananas were one of the easier drawings; just a bit of tidying up around the edges and removing the sketchbook seam line and it was ready to go!
With the outline sorted it’s time to start on the colour. I use all sorts of different materials for colouring but I’ve decided to use watercolours for the fruit print range. I love how the colours blend so well and show a great range of tone and light with a few brush strokes. After scanning it in to the computer and defining the colours, it’s ready to be dropped into the outline image.
With a few layers and lots of blending, the colouring-in is complete! I’m super chuffed with the colour effect created by the watercolour paints, but let me know what you think by commenting below.