With the cow drawing scanned into the computer, it’s time to add colour to the print design.
For this print design, I decided to colour the cow drawing digitally using layers of photographs. I photographed different angles of the cows to get sections of their fur. Next I took a look at the colours of the cow to see which areas needed to be lighter or darker. By doing this I was able to cut different pieces out of the photos to use in different areas. Then it was a case of layering the different pieces and blending them to create a smooth coverage of fur. Take a look at this video to see all the layers that went in to colouring the cow.
The final step
Once the cow had its fur it was time to create the print design. I had a vague idea in mind of how I wanted the print to look which really helped. Quite often I’m not sure what I want the finished print to look like so it takes longer to create because I don’t have a base to start from. For this design, I had the idea to have the cows in clusters, as if they were scattered about a field. First of all, the cows were grouped in to small groups of twos and threes. Also some cows were rotated and resized to give some variety to the print.
And here’s the finished print design! What do you think? Do you prefer the cream or the green background?
Earlier this week I sent off the files to the fabric printer so new fabric is imminent! Using the cow fabric I will be making a coin purse, a passport cover and a wash bag. If you would like to reserve any of these items, just let me know!
The last post saw the first stage of the cow print design. Continue on to see the next steps…
After the realisation that the oil pastel drawing wasn’t going to work for the base of the print design, it was time to go back to the drawing board. I’ve been enjoying using thick pencils recently so I started there. I knew I wanted to use something that would pick out the layers of the cow’s shaggy hair so a simple pencil seemed the best way to go.
Although I liked the effect the oil pastels created for mimicking the cow’s hair, I felt that they missed some of the details. The cows had such beautiful faces and really pretty eyes so I spent most of my drawing time focused on the face.
I think the pencil drawing captured the character of the cow much better than the oil pastels did. I’m really pleased with how the face came out, isn’t he just so adorable! I still wanted to get across the texture of the fur so I decided to digitally colour the hair. On Photoshop I planned to use several layers of photographs of fur.
Thankfully the pencil drawing scanned in much clearer than the oil pastels did. By fiddling with the levels and exposure, I was able to get a really solid outline. This works great for print designs as it shows up better on fabric. I was also able to clean up all the little lines that I’d drawn slightly wrong so I was completely happy with the drawing – thank you Photoshop!
Stay tuned for the final blog post in the cow print design series to see the finished print! You’ll also find out what items I decided to make with the printed fabric. Feel free to drop me a message in the next post if you want to reserve anything.
It’s time for a new print design and for this pattern we’re off to the farm.
Growing up in the Derbyshire countryside definitely gave me a lot of inspiration for my print designs. From the patchwork field landscapes to the farm animals on the doorstep, it’s come through in my work more than once or twice.
I’ve already created a couple of designs inspired by farm animals. The chickens came first (no pun intended) when an escaped flock of chickens made a break for it down the village road. The gorgeous colours of their feathers made me grab my colouring pencils and blend those tones in my sketchbook. If you’ve not seen the chicken print design before, click here to take a look at this chicken pencil case.
Next up was the goat print, inspired by my sister’s love of goats. They are pretty great little fellas aren’t they.
When I was thinking of what prints to design next, I took a look back through the photos I had taken over the years and came across these beautiful cows.
I absolutely love the cow’s hair (hair/fur/coat?). The texture leapt out at me and the blend of colours was lovely and warm. I knew right then that the cows would be my next print design.
The wiggly texture of the hair drew me to oil pastels straight away. I thought this would translate really well so I rummaged through all my pastels to get a warm colour palette.
I really liked the effect of the oil pastels but I wasn’t sure it would translate well as a print design. The rough nature of the oil pastels look nice on paper but they don’t scan very well in to the computer to make a digital print, so it was back to the drawing board…
Check out the next blog post for the next instalment of the cow print design!