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The final stages of the cow print design

Cow print design with cream background

With the cow drawing scanned into the computer, it’s time to add colour to the print design.

For this print design, I decided to colour the cow drawing digitally using layers of photographs. I photographed different angles of the cows to get sections of their fur. Next I took a look at the colours of the cow to see which areas needed to be lighter or darker. By doing this I was able to cut different pieces out of the photos to use in different areas. Then it was a case of layering the different pieces and blending them to create a smooth coverage of fur. Take a look at this video to see all the layers that went in to colouring the cow.

I needed lots of layers of different shades to create the beautiful fur of the cow

The final step

Once the cow had its fur it was time to create the print design. I had a vague idea in mind of how I wanted the print to look which really helped. Quite often I’m not sure what I want the finished print to look like so it takes longer to create because I don’t have a base to start from. For this design, I had the idea to have the cows in clusters, as if they were scattered about a field. First of all, the cows were grouped in to small groups of twos and threes. Also some cows were rotated and resized to give some variety to the print.

Cow print with cream background
I always like to use a cream background with a brown print design
I also wanted to use a green background to symbolise the grass

And here’s the finished print design! What do you think? Do you prefer the cream or the green background?

Earlier this week I sent off the files to the fabric printer so new fabric is imminent! Using the cow fabric I will be making a coin purse, a passport cover and a wash bag. If you would like to reserve any of these items, just let me know!

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Back to the drawing board

Cow pencil drawing for the cow print design

The last post saw the first stage of the cow print design. Continue on to see the next steps…

After the realisation that the oil pastel drawing wasn’t going to work for the base of the print design, it was time to go back to the drawing board. I’ve been enjoying using thick pencils recently so I started there. I knew I wanted to use something that would pick out the layers of the cow’s shaggy hair so a simple pencil seemed the best way to go.

Pretty cow serving as inspiration for the new cow print design
Such a pretty cow

Although I liked the effect the oil pastels created for mimicking the cow’s hair, I felt that they missed some of the details. The cows had such beautiful faces and really pretty eyes so I spent most of my drawing time focused on the face.

The finished cow drawing for the new cow print design
The finished pencil drawing

I think the pencil drawing captured the character of the cow much better than the oil pastels did. I’m really pleased with how the face came out, isn’t he just so adorable! I still wanted to get across the texture of the fur so I decided to digitally colour the hair. On Photoshop I planned to use several layers of photographs of fur.

The cow drawing scanned in really well and is ready for being made into a print design
The pencil drawing of the cow scanned in much better than the oil pastels drawing

Thankfully the pencil drawing scanned in much clearer than the oil pastels did. By fiddling with the levels and exposure, I was able to get a really solid outline. This works great for print designs as it shows up better on fabric. I was also able to clean up all the little lines that I’d drawn slightly wrong so I was completely happy with the drawing – thank you Photoshop!

Stay tuned for the final blog post in the cow print design series to see the finished print! You’ll also find out what items I decided to make with the printed fabric. Feel free to drop me a message in the next post if you want to reserve anything.