The last post saw the first stage of the cow print design. Continue on to see the next steps…
After the realisation that the oil pastel drawing wasn’t going to work for the base of the print design, it was time to go back to the drawing board. I’ve been enjoying using thick pencils recently so I started there. I knew I wanted to use something that would pick out the layers of the cow’s shaggy hair so a simple pencil seemed the best way to go.
Although I liked the effect the oil pastels created for mimicking the cow’s hair, I felt that they missed some of the details. The cows had such beautiful faces and really pretty eyes so I spent most of my drawing time focused on the face.
I think the pencil drawing captured the character of the cow much better than the oil pastels did. I’m really pleased with how the face came out, isn’t he just so adorable! I still wanted to get across the texture of the fur so I decided to digitally colour the hair. On Photoshop I planned to use several layers of photographs of fur.
Thankfully the pencil drawing scanned in much clearer than the oil pastels did. By fiddling with the levels and exposure, I was able to get a really solid outline. This works great for print designs as it shows up better on fabric. I was also able to clean up all the little lines that I’d drawn slightly wrong so I was completely happy with the drawing – thank you Photoshop!
Stay tuned for the final blog post in the cow print design series to see the finished print! You’ll also find out what items I decided to make with the printed fabric. Feel free to drop me a message in the next post if you want to reserve anything.